Crash Chords: Playing Along (music & sports)

Cover of "Bring It On (Widescreen Collect...

Cover via Amazon

Extreme singing anyone? Maybe popping a neck ligament while belting power ballads can now be classified as a sports injury.

Sports and music go together like quarterbacks and cheerleaders. That’s why I’m starting off with the much-acclaimed cheerleading saga “Bring It On”. From the pre-credits sequence to the training montage sequences to the final competition, this film comes as close to perfection as possible. As far as I’m concerned, there have been very few moments where we get to experience that perfect marriage between sports, music, and cinema. And they’re all in “Bring It On”. Too bad the available soundtrack album doesn’t do justice to the gamut of music featured in the actual movie. It’s a major travesty that the two climactic cheer themes weren’t included, at the very least. But listening to cheer music is only half as cool without the perky visuals anyway. And “Bring It On” is worth experiencing in Progressive Scan High Definition and Extended Surround Sound Plus. If only for the extended version Toni Basil’s immortal cheer classic “Mickey”.

Ok, for those on a more “classical” bent, there are other great sports movie soundtracks. Baseball may seem to be the sport that lends itself easily to cinematic musical metaphors and bringing out a guy’s sensitive side. Right before he went on to work exclusively for Pixar, Randy Newman hit one right out of the park with his moving, evocative score for the Robert Redford baseball tear-jerker “The Natural”. James Horner’s “Field Of Dreams” score was a stirring home run as well.

Cover of "Brian's Song"

Cover of Brian’s Song

Brian’s Song” was the smash 1971 TV movie starring James Caan and Billy Dee Williams, that tells the story of Chicago Bears football player Brian Piccolo, his friendship with teammate Gale Sayers, and struggle with terminal cancer. The film struck such a chord that it got a theatrical release, a remake in 2001, and is considered one of the top “makes-men-cry” movies. The musical theme to Brian’s Song, “The Hands of Time,” composed by Michel Legrand, with lyrics by Marilyn and Alan Bergman, also hit it big.

Cover of "Ice Castles: Original Soundtrac...

Cover of Ice Castles: Original Soundtrack Album

On the other hand, what could be more girly (or gay) than ice skating? The 1980 movie Ice Castles wrung out a tender, tearjerking love story from the stirring whirl of Olympic Competition Skating. But it was its theme, the song “Looking through the Eyes of Love”, written by Marvin Hamlisch & Carole Bayer Sager and originally performed by Melissa Manchester, that struck gold, and continues to be a staple in other competitive sports such as talent contests, beauty pageants, and weddings.

Chariots of Fire (instrumental)

Chariots of Fire (instrumental) (Photo credit: Wikipedia)

Who else starts humming the melody that goes “tun tun tun tun tun… tun… tun tun tun tun tun…” whenever they go running? Footage of sprinters in slow motion was never the same again after the world first got a listen to the synthesized stylings of Vangelis’s Academy Award-winning “Chariots of Fire” soundtrack in 1981. A master of the Moog who was once asked to join the prog-rock band Yes, the Greek composer Vangelis crafted, in Chariot’s main “Titles” theme, a magnificent symphony to exertion, grace, and victory.


200 (Photo credit: Wikipedia)

John Williams also took a shot at this goal by composing the Theme and Fanfare for the 1984 Los Angeles Summer Olympics. The usual bombastic Williams style goes on to win a Grammy Award and becomes one of the best known (and frequently borrowed) musical themes for any Olympic Games.

Not to be left out, we Pinoys can unabashedly belt out our homegrown arena anthems with the best of them. These include the Sex Bomb dancers’ imaginative “Basketball” and Manny Pacquiao’s vanity track Para Sa ‘yo Ang Laban Na ‘To. Maybe in the next Olympics videoke could be one of the new sports in competition. That might just give us our best chances for a gold medal. But win or lose, we’ll do… what we have to do… and do it… our way…

-text by Jude Defensor, some rights reserved. first published under music column Crash Chords in Manual magazine, 2006

Crash Chords: Music for the Mod and Manor Born

You’ve got the money, the education, and you’re starting to climb the social ladder. You’ve read the books, slipped into the suits, and made the connections. Now you’ve got to learn to set the mood for your upwardly mobile life. What sounds should you be playing on your sophisticated system?

You need music to sip martinis to, background noise for sinking into thick shag carpeting or lounging on plush leather upholstery, a soundtrack for elegant seduction scenes and leisurely rounds of foreplay, NOT for “getting it on” or “shaking your booty”.

Burt Bacharach in concert, 2008.

Burt Bacharach in concert, 2008. (Photo credit: Wikipedia)

Forget rap, rock, hip-hop, R&B, and folk. We’re focusing on the recording industry’s upper crust here. Common opinion would also encourage you to turn to jazz. But honestly, all those unpredictable bursts of melisma and improvisations can sometimes set your teeth on edge, not the best match for feeling suave and debonair. It’s tricky to slow-dance to besides. We’re looking for songs that sound good even at half-volume, with lyrics that whisper sex as a suggestion, not a declaration. Burt Bacharach is the undisputed master of this style, no man swung as groovily as the Burt. Dismissed as elevator music for decades until pre-millenial tension nurtured the retro lounge music scene of the 1990s, Bacharach’s deceptively subtle compositions continue to influence today’s groovemeisters.

Cinerama came about when The Wedding Present’s David Gedge crossed over from abrasive punk rock into melodic groovy pop. Gedge carried over his knack for crafting honest, understated songs and enhanced them with a lovely 1960s Phil Spector/Burt Bacharach sensibility. The resulting retro pastiche sounds like a homage to classic pop as influenced by the movie soundtracks of Ennio Morricone and Isaac Hayes. Charming orchestral flourishes and lush production wrap each sublime pop nugget, ripe with lyrics revolving around the usual comedy of errors that takes place between men and women in love or lust. Gedge still snarls and growls a bit, but here he also croons and makes you swoon.

The Aluminum Group are not your parents’ easy listening music. Fronted by John and Frank Navin, two brothers from Chicago whose icy-cool voices blend silkily over words that reference postmodernism and urban life. Their sound is a mellow mix of acoustic guitars, strings, banjos, brass, and synths, sounding something like crystallized pocket symphonies retrofit for digital music players. Although their post-rock dabblings tend to teeter close to the brink of style-over-substance, the Navins manage to give an edgy high-gloss twist to the high pop radio sound of their inspirations: Jimmy Webb, the Carpenters, and Bacharach of course.

The Essential Michael Nyman Band

The Essential Michael Nyman Band (Photo credit: Wikipedia)

Classical music doesn’t always mean stuffy instrumental shit that sounds like it belongs in a museum, or a mausoleum. There’s a ton of stuff out there that’s exciting and moving, and just happens to have been recorded with classical instruments. British composer Michael Nyman coined the term “minimalism”, a form of composition that relies on simple patterns and repeated figures, where the musical skill lies in subtle progressive or cyclical alterations to this tapestry to achieve its effects. In other words, this is deep stuff, man. Nyman’s music sounds eerie and dangerous, and can easily hypnotize you with its elegance and poignancy. Although fellow minimalist Philip Glass has a substantially higher profile, it’s Nyman who has the most cred with the intellectual-and-indie crowd.

Neil Hannon

Neil Hannon (Photo credit: sjrowe53)

Just to add to the mix, anything French from the 1960s-70s is also a good bet. Check out Michel Legrand and Francoise Hardy, they’re the sonic equivalents of champagne and silk stockings. If you’re the patriotic type who plans to stick to the KBP radio code of 4 OPMs per clock hour, then 1980s-era Kuh Ledesma and Ric Segreto are quite respectable choices, as long as you stick to their songs that have yet to be covered (and good luck with that) then you’re sure to astound the ears of any date younger than 24.Michael Nyman has greatly influenced the work of The Divine Comedy’s Neil Hannon. Blending minimalist orchestration with witty lyrics sung in Hannon’s warm tenor, their music sounds grand but cozy, intricate but intimate. Hannon’s subject matter ranges from fairy tales and famous books to playboys and international travel, all delivered in an earnest yet hip tone seemingly voiced by the probable lovechild of Rex Harrison and Nico. These are complicated songs about complicated things that will appeal to anyone from geeks to Goths.

Now that you have all these idea for software, how about hardware? Even among audiophiles, vintage gear suggests a certain flair. Analog outclasses digital in the realm of luxury listening. Among these circles, vacuum tubes and vinyl rule, not microchips and compact discs. And lastly, don’t forget to hide your Magic Sing microphone somewhere safe but inaccessible.

-text by Jude Defensor, some rights reserved

Toti’s Ten

Music guru Toti Dalmacion lists 10 luxurious LPs

Luxurious is a word I don’t often associate with the music I listen to, but I suppose my interpretation for it would be either it’s lush sounding or just an all-around great release and I never get tired listening to it.

1. The Blue Nile – Hats
The quintessential TBN album for me. (although I love the other 3 albums as well) The Blue Nile at their most depressing best. Picturesque and moody.

Cover of "And She Closed Her Eyes"

Cover of And She Closed Her Eyes

2. Stina Nordenstam – And She Closed Her Eyes
The first album Memories of Color made me listen but this album had me wanting to bring her in (commercial suicide yes but it would’ve been really be soul  satisfying. Unfortunately, she is said to have stage fright so forget that). Just plain beautiful, combining ambient, jazz and THAT voice.

3. David Sylvian – Brilliant Trees
I have been a fan since his Japan days. This debut solo effort made me worship him all the more. Just check out “The Ink in The Well” and “Nostalgia”… and you’ll know why.

4. Elvis Costello and Burt Bacharach – Painted from A Memory
This has got to be one of, if not the best ever, collaboration in decades. It also highlights Costello’s vocal prowess as well as the arranging genius of Bacharach. No dud track whatsoever.

5. Paul Weller – Paul Weller
Weller at his funkiest. A great comeback/debut album that has allowed him to go on and be the Modfather that he is.

6. XTC– Skylarking
My all time favorite band. There are lots of other great XTC albums but the flow and songs of Beatle-esque proportions make this such an enjoyable listen despite of the conflict between producer Todd Rundgren and the band during the recording of this album.

7. The Wedding Present – George Best
It could be the title or the album cover but I’ve always found this album to be well worth it.  David Gedge may write songs about the same thing over and over again and they still come out enjoyable and fresh.

8. Gene – Olympian
One of the most underrated British bands to ever come out and the guitar work of Steve Mason is sadly overlooked as well. This debut is a classic for its swagger and Englishness post-The Smiths but fortunately not too Britpop.

9. Terry Hall – Home
Another striking, underrated album and artist. Great tunes from start to end for hopeless romantics.

Swoon (Prefab Sprout album)

Swoon (Prefab Sprout album) (Photo credit: Wikipedia)

10. Prefab Sprout – Andromeda Heights
A misunderstood, often criticized Prefab Sprout album due to its lush production and sappy tunes of love. While it is smooth and not as gritty as “Swoon” nor with the feel of their other equally great albums, it’s still not your average love themed ridden album and just with “Steal Your Thunder”… it’s already “LUXURIOUS”

-text by Jude Defensor, some rights reserved. first published under music column Crash Chords in Manual magazine, 2005

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